Inspired by ancient myths of exile and forgotten female memories, Yam Suph delves into poetic narratives of female revenge, awakening, and silence. When Lilith was cast away to the edge of the world, her blood stained the sea, carrying with it both curse and rebirth. Amidst endless tides, her daughters—the Sirens—sing their eternal hymns, enticing humanity to voyages into the unknown, pursuing dreams of civilisation and technology. Yet, each quest ends not in salvation, but returns humanity to destruction and ruin.
The artwork, through sculptures, imagery, and installations, evokes six symbolic water horses, representing humanity’s technological and civilisational advances. They embody a mythical landscape that metaphorically explores human destiny intertwined with the feminine. In Yam Suph, women are no longer passive bearers of fate; instead, they silently observe and judge the ruins of modern civilisation. Once their voices echoed through the world; now they remain silent, their gaze profound and unanswerable.