Elizaveta Dubova

I am a multidisciplinary designer with a focus on experimental visual communication and emotionally driven storytelling. My practice is deeply human-forward as I use the human body as a vessel for liberation, vulnerability, and authentic expression. I work primarily with 3D modelling, often creating still renders and interactive experiences that invite individuals to feel closely connected to my work. I am also deeply inspired by fashion and using garments as a form of personal language and identity. My work aims to provoke, and to press on something raw, honest, and unspoken within those who encounter it.

moc.liamg@kihconuzil

lizunochik.com

@lizunochik

Un_Veiled

Excerpt from the magazine:
“Through moments of deep vulnerability between flesh and fabric, as the seams blend into the skin, they cease to be just an attachment, but become a constraint and also a vessel for human liberation. There exists a visceral vulnerability underneath the clothes, a dichotomy that speaks of restraint and liberation as the fabric extends and retracts to sculptural undulations. This project aims to unveil the fragility that is part and parcel of the banal yet intimate gesture of undressing.”

Life Worn in Threads

An interactive 3D exhibit exploring the human life cycle through clothing and nature. Using 3D digital human models dressed in evocative garments, each stage of life: birth, youth, adulthood, and death, is represented within a distinct natural biome. These immersive habitats pair texture, colour, and fabric with the emotional and psychological essence of each life stage. The project reflects on how clothing becomes a vessel for memory, identity, and transformation—woven with time, layered with meaning, and inseparable from our lived experience.

Desiderium

An avant-garde inspired short film created through 3D modelling, exploring the aching vastness of longing. Desiderium, meaning “an intense yearning for something lost”, the film follows a woman suspended in the haunting absence of her partner. Through surreal, sculptural visuals and fragmented environments, her grief becomes tactile, stretched across time, space, and memory. Emotion lives in gesture, in texture, and in the quiet moments where she reaches for what is no longer there.